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Camille Pissarro
Farm before the donkey
mk259 1858 Oil on canvas years 21.6 x 27.3 cm
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Camille Pissarro
Entering the village
mk259 1862 Oil on canvas years 19 x 30 cm
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Camille Pissarro
Outlook fields
mk259 1863 Oil on canvas years 49.6 x 74 cm
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Camille Pissarro
Chat village woman
mk259 1863 Oil on canvas years 40 x 52 cm
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Camille Pissarro
AT and T Building
mk259 1863 Oil on canvas years 40.7 x 32.4 cm
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Camille Pissarro
Avenue
mk259 1864 Oil on canvas years 35.5 x 27.5 cm
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Camille Pissarro
Walking along the village
mk259 1864 Oil on canvas years 55.9 x 45.7 cm
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Camille Pissarro
Montreal luck construction winter's scenery
mk259 1864 Oil on canvas years 31 x 22.5 cm
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Camille Pissarro
Pang Schwarz street map
mk259 1866 Oil on canvas years 32 x 40.2 cm
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Camille Pissarro
There is still life wine tank
mk259 1867 Oil on canvas years 81 x 99.6 cm
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Camille Pissarro
Pang plans Schwarz house
mk259 1866 Oil on canvas years 40.3 x 55.2 cm
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Camille Pissarro
Pang plans Schwarz bridge
mk259 1867 Oil on canvas years 31 x 45.5 cm
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Camille Pissarro
Winter scenery
mk259 1866 Oil on canvas years 91.8 x 150 cm
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Camille Pissarro
Winter scenery
mk259 1866 Oil on canvas years 21.6 x 31.1 cm
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Camille Pissarro
Pang plans Schwarz, tiare slopes
mk259 1866 Oil on canvas years 70 x 100 cm
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Camille Pissarro
Pang plans scenery Schwarz
mk259 1866 Oil on canvas years 70 x 100 cm
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Camille Pissarro
Pang plans Schwarz, hidden hills homes
mk259 1867 Oil on canvas years 151.4 x 206 cm
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Camille Pissarro
Pang plans scenery Schwarz
mk259 1867 Oil on canvas years 87 x 114.9 cm
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Camille Pissarro
First Nepali Weiye Marx and Engels river bank
mk259 1867 Oil on canvas years 91.5 x 145 cm
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Camille Pissarro
Riparian scenery on
mk259 1867 Oil on canvas years 45.7 x 71.7 cm
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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